Nikon has always been one of the most respected manufacturers of the camera, and Nikon D7000 that you have purchased is a classic. To take advantage of the new 39-point autofocus, you would need one or more capable lenses.
You will soon grow tired of the kit lens and want to explore the huge selection of optical masterpieces available. Not only can you use lenses from Nikon but also Tamron and Sigma. With 16 MP from the D7000, you can look forward to shooting the most vivid and lifelike images possible.
We have tested lenses extensively and present the 10 best lenses for your D7000.
Best Nikon D7000 Lenses – Comparison and Reviews
|Image||Product Name||Features||Check Price|
|Nikon AF-S DX NIKKOR|
|Nikon AF-S FX NIKKOR|
|Nikon AF S NIKKOR|
|Nikon AF-S DX NIKKOR|
|Tamron SP 70-200MM|
|Sigma 150-600mm 5-6.3|
|Sigma 30mm F1.4|
|Sigma 17-70mm F2.8-4|
|Sigma 18-300mm F3.5-6.3|
The Nikon AF-S DX NIKKOR lens is meant for DX-format cameras. The lens is extremely lightweight and is a compact product, and it delivers images as a premium quality lens would. Its aperture is perfect for shooting in areas with dim lighting. The fast f/1.8 maximum aperture is also ideal for creating slightly blurred backgrounds. The “normal” angle of the lens makes it a great product overall.
The lens provides a different look to the images you capture with it. Its dimensions are meant for shooting landscapes with an angle equal to that of the human eye. The seven-blade diaphragm makes de-focused elements appear as natural as possible.
The lens comes with two focus modes – M – manual focus and M/A – manual override focus. It also comes with a rubber seal, which reduces moisture around the mount. This, in turn, improves the focus. A switch on the side enables you to either focus manually or using the MA mode. This feature comes in handy when you want to fine-tune your focus.
The picture quality, the weight, and the price makes this lens an excellent choice for budding and established photographers. It is great for taking photos of nightscapes, landscapes, family portraits, street scenes, and events as well. Even novice photographers can use this lens to their benefit.
- Well-built and compact
- Great for low-light areas
- Focusing is silent
- Takes crisp photos
- The focus rings are made of plastic
- Barrel distortion
The Nikon AF-S FX Lens is a must-have for taking pictures of everyday life and portraits. Its f/1.8 aperture and 50mm focal length allow you to capture stunning photos. The shallow depth-of-field allows your subjects to stand out from their surroundings.
Whether it’s a sunny day or a cloudy one, this lightweight lens will be your companion in taking beautiful images. It captures brilliant photos, even in areas with low light.
Whether you are taking photos outdoors or indoors, this lens provides a beautiful background blur thanks to its wide aperture. The 50mm focal length is just ideal for taking photographs of nature.
The SIC or Super Integrated Coating of the lens enhances the transmission of light and reduces flare. It also delivers consistent colors on the pictures you take. The AS or the Aspherical Lens Element minimizes aberrations like coma. The AS also corrects the distortion and reduces unnecessary elements. It does so by continuously changing the refractive index.
The SWM or the Silent Wave Motor of the lens does total justice to its name. This motor converts “traveling waves” technology to “rotational energy,” which results in fast, accurate, and quiet pictures.
This Nikon AF-S FX Lens is excellent for still photographers. The performance and the price of the lens make it a winner.
- Takes extremely sharp photos
- Amazing blurred backgrounds
- Rich colors
- No vibration reduction
- No zoom available
The shots from this lens are just what you see with your eyes. The colors aren’t amplified, nor are they dull. We combined it with a D500 and noticed the crop sensor worked with the lens to present a 127.5 mm field of view. For outdoor photography like weddings, this is a nice bonus as it let us create a deep background and sharper image quality for the subjects we are photographing.
The 127.5 mm field of view became a bit of a problem when we are indoors. If you’re in a cramped space, you won’t be able to move backward. The result is that it becomes hard to take group shots. If your focus is one person, though, mugshots and portraits are something few lenses can produce.
In low light, the picture clarity isn’t anything less than the ones we get in daylight. It must be noted that the autofocus works faster during the day, locking in on subjects with maximum accuracy. At night, it mostly depends on the lighting conditions. The autofocus is mostly slow but correct once it locks on. We would mostly recommend using this lens for D700 or D800.
- Great Low Light performance
- Clean and smooth Bokeh
- Professional and clean depth of field
- Sharp Center Clarity
- Despite the plastic body, it appears solid
- Plastic Body
- Extremely slow autofocus
4. Nikon AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED Vibration Reduction Zoom Lens with Autofocus for Nikon DSLR Cameras
The AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR is a very compact, robust and dependable pair of camera lenses that can fit well in almost every Nikon camera model. This model has all the latest features and functionalities like a wide aperture, autofocus, and image stabilization.
The f/4.5-5.6G lens is suitable for everyone, from first-time photographers to industry professionals. You can click some sharp, high definition shots, try special effects like superzoom, blurring, and vignettes that are great for capturing small objects.
The image stabilization feature integrates an advanced VR or vibration reduction system for better handheld shooting support. Plus, the HRI index is high, allowing photographers to capture perfect shots even from a great distance.
We were also really impressed by the autofocus feature and the wide lens opening that successfully clicks clear pictures even in low lighting. You can even turn out the autofocus for manual focusing. The Nikon AF-S DX lens is also effective at capturing fast-moving shots as well, offering users a great deal of flexibility.
- Comfortable, practical and very user-friendly, suited for amateurs and professionals alike
- Great for shooting still and moving objects
- Also, with a wider aperture, you get better lighting and sharper edges in pictures
- The lenses are durable, dust-proof and weather-resistant
- Photographers can click both wide-angle shots and close-ups with relative ease
- The body swivels around a lot
- Users have also noticed gaps on the sides of the lens framework
- It doesn’t offer a lot of sharpness when compared to its peers
he f/2.8 DI lens is suitable for beginners; however, we would not recommend them for professionals. The advanced VC, vibration compensation feature reduces blurring and other issues with your shots.
The Tamron SP model is also built in a way that makes the lenses durable and dust-free. You can even carry the lenses outside for photoshoots in rough terrain. The autofocus feature allows users to click sharper pictures in both landscape and portrait modes.
Other important features like image stabilization allow you to take multiple shots at once and even capture moving images with greater accuracy. The 70-200mm lenses come with a decent aperture that works well in dimly lit backgrounds as well.
Overall, the Tamron SP f/2.8 DI model is a good investment for amateurs and first-timers who want to experiment with a low-level lens before moving on to a heavy-duty alternative.
- A great model for beginners
- Comes with a decent aperture and special effects for low-lit photography
- Supports most Nikon FX models, different photo frames and modes
- Suitable for both indoor and outdoor usage
- Reduces blurring and vignettes around the edges
- Comes with image stabilization, vibration compensation, and autofocus feature
- The lenses don’t come with a lens cap or guard for protection against external elements
- The lenses are not suitable for professional photographers as it is very slow
- The framework is easily breakable and can get scratched
This lens comes with a Super Multi-Coating, which helps to reduce ghosting, thus improving the contrast, and also the colour accuracy – which is critical when you are working in strong light conditions.
Equipped with Hyper Sonic Motor, this lens ensures autofocus which is both quiet and fast. The Optical Stabilizer reduces camera shake. It also comes with a detachable tripod collar, which can also be rotated.
The 9-blade rounded diaphragm made sure that we got a bokeh quality, which was as smooth as it was pleasant when we tested this lens. Another pleasing discovery for us was that this lens comes with a design, which is resistant to both dust and splash. We used the lens in inclement weather and were confirmed about this feature.
Another useful feature of this lens is the zoom lock switch. You can activate this at any focal length. This feature is indispensable to prevent accidental zoom adjustments.
- Telephoto reach is superb
- Sharp image
- Quick focus
- Image stabilization
- Competitive pricing
- Unwieldy size and heavy structure
- Aperture slows down at 600 mm
The Sigma 30mm F1.4 Art DC HSM Lens is a long and much-needed enhancement to the previous Sigma HSM lens, which had a multitude of optical problems.
This Sigma lens is sophisticated and compact. The versatile normal-length lens is suitable for APS-C format cameras. It features a bright F1.4 maximum aperture, which works well in difficult lighting conditions.
The superior optical design reduces distortion and spherical aberrations to click sharp pictures. The Sigma 30mm 1.4 art full-frame can focus as near as 11.8 in along with a maximum magnification ratio of 1:6.8. Its 9-blade rounded diaphragm of the lens creates beautiful bokeh. The colors are decent, and the contrast is good. Automatic focussing is exceptionally quiet but not quick. The technical testing revealed excellent sharpness, which is above the 0.25 cycles-per-pixel aperture range.
Interestingly, the Sigma DC series lenses are similar to the Canon brand EF-S series lenses. Therefore, these are designed and adjusted to only work on the Canon APS-C series cameras.
This Sigma Art series lens will click beautiful, sharp, crisp images, and at the same time, you get an option to get soft, dreamy light ones. The lens goes on a crop frame sensor, hence the 30mm provides the apt shooting angles for portraits and walk around shooting. We would rate the Sigma Art lens as a good value for money.
- Excellent bokeh on this lens
- Extraordinarily bright f/1.4 maximum aperture ideal in low-light conditions
- Includes padded carrying case along with a lens hood in the box
- Calibration issues with autofocus feature
- Heavy for its size
The Sigma 17-70mm F2.8-4 Contemporary DC Macro OS HSM is a fast standard zoom lens for cameras with an APS-C sensor. It is lighter than the previous Sigma 17-70mm lens, also very compact, yet it still maintains an excellent optical performance.
This lens has a narrow focus ring. It has hard stops at both ends of the range, which makes it easier to set focus at infinity. The focusing ring is quite smooth, as well as the zoom ring.
The lens includes built-in vibration reduction, which is activated by the OS switch on the lens barrel. This lens possesses an Optical Stabilizer, which minimizes the appearance of camera shake for sharper handheld shooting. Furthermore, the 17-70mm f/2.8-4 features a rounded 7-blade diaphragm for breath-taking bokeh quality.
And, when it comes to auto-focusing, this lens zoom is a quick performer, taking only about 0.15 seconds to lock onto the subject. You also get a lens dock for updates with which you can fully customize your lens to your preference.
Although Sigma does not categorize the 17-70mm ƒ/2.8-4 OS as a macro lens, however, it is capable of 0.34x magnification at a minimum focusing distance of 22cm.
The lens is built from a combination of metal and high-quality plastic with a refreshing matte look. The Sigma 17-70 price is quite affordable, and with such amazing features, it is a must-buy for photographers.
- Compact and lightweight lens body
- Smooth zoom and focus rings
- Lightweight lens
- Evident barrel distortion
- Focus issues in low light environments
The Sigma 18-300mm F3.5-6.3 Contemporary DC Macro HSM OS is another remarkable addition to the Sigma Contemporary lens line. This contemporary lens is compatible with Canon, Nikon, Pentax, Sigma, and Sony SLRs.
The Sigma lens is compact and lightweight and apt in covering a very extensive range. It also offers a solid 1:3 macro magnification ratio at its most extended focal length. This lens is ideal for wildlife photography, sporting events, and other photoshoots where the subject is far.
Technically the 18mm sharpness of the image area is excellent from maximum aperture. However, at 300mm, although sharpness is reduced, the performance of this lens is nevertheless flawless, given the vast zoom range. The lens can focus as close as 15.3 inches.
The auto-focus is powered by a silent HSM focusing motor, which results in reasonable quick focusing. Also, the auto-focus is performed internally, which does not let the 72mm filter thread rotate, making it ideal for use with polarized and advanced filters.
The rounded 7-blade diaphragm leads to a smooth and excellent bokeh quality. This lens is undoubtedly capable of clicking images with decent sharpness. The lens produces clear landscape images and beautiful distance shots, even in low light areas and cloudy days.
The Sigma 18-300mm F3.5-6.3 Contemporary DC Macro HSM Lens is light, and the build seems to be very durable. Solid construction, nice feel, and grip, impressive quality indeed.
- Well built, lightweight, and compact
- Compatible with Sigma USB dock
- Super Multi-Layer Coating
- Loose manual focusing action with no full-time manual override
- Low-level fringing
The Tokina AT-X 116 PRO DX-II 11-16mm f/2.8 Lens is an ultra-wide-angle autofocus zoom lens with a constant f/2.8 maximum aperture.
Tokina’s 11-16mm DX-II is the world’s quickest and sharpest ultrawide lens for small format digital cameras. It is sharp throughout its focal range and has limited distortion, which can be corrected during the post-production time.
As far as sharpness is concerned, this lens performs best at 11mm at maximum aperture. At f/2.8 the sharpness in the centre of the image is good. The clarity of the edges of the frame is outstanding. The constant F 2.8 aperture augments working in low light environments and also helps in creating a shallow depth of field.
The 9 diaphragm blades enable producing soft out-of-focus backgrounds. The two Super-Low Dispersion glass and aspheric elements support in clicking excellent contrast, sharp, and with minimal chromatic aberration.
Tokina 11-16mm canon full frame’s single-touch focus clutch mechanism will enable you to switch between AF and MF by merely snapping the focus ring. The only major downside of this lens is the small focal length range. It may feel limiting at times.
Overall this lens is a unique prospect for APS-C cameras and performs very well. You may need to adjust the chromatic aberration because they seem to be high towards the edges. However, you can correct this afterward in image editing software.
- Multi-Layer Coating 77mm Filter Thread
- Very effective manual/auto slip ring
- Good value for money
- Lacks image stabilization
- No protection against moisture and dust
Nikon D7000 Lenses Buying Guide
- Depth of field – It is a term that is often used and means the distance between the nearest and farthest objects in the image. A wide aperture usually offers a greater depth of field.
- The angle of view – It denotes the span of a scene that a camera can capture. The human eye is capable of almost 150° wide vision. A DX camera can capture about 50°.
- Crop Sensor Lens – These are lenses meant for an APS-C camera such as D7000. Though full-frame lenses can also be used, the best results are attained with DX lenses.
1. What are the main criteria when buying a lens?
If you are a beginner, the most important factors are – focal length, aperture, format (full-frame or cropped), and mount type. Features such as autofocus and image stabilization are desirable but not essential.
2. How many filters do I need?
You would need several. A polarizing filter for sunlight, a UV filter that also acts as a protective cap, 2-3 neutral density filters for various types of lights and color filters. In all, about 5-6 filters priced at around $40 each are needed.
3. Do I need a flash?
If you are going to shoot without the sun, you would need a capable flash. A high-quality flash would be priced above $140. Most modern flashes are capable of over 200 uses with nickel-metal hydride batteries.
4. What is a standard lens?Nikon AF-S NIKKOR 50mm f/1.8G is a good example. A standard lens has the same angle of view as the human eye. There is a natural feel to photos taken with this type of lens.
5. What is the crop factor?
A 35 mm camera was standard when films were used. Full frame cameras replaced that size. The cropped or smaller sensor cameras have a different focal length than full frames. Nikon uses a crop factor of 1.5. This means a 300 mm DX type lens for Nikon D7000 is equivalent to a 200 mm 35 mm lens.
6. Should I buy a tripod?
It is a good idea to buy a tripod. You would find that it relieves the strain on your arms quite a bit. Not only long-distance but close up photography would also often require a tripod.
The best lens was the Sigma 18-300mm F3.5-6.3. It is lightweight and really versatile. With optical image stabilization as well as very efficient autofocus, it is awesome.
During our tests, the pictures were brilliant and well-composed. There was a bare minimum chromatic aberration, and the overall effect was perfect. Across the aperture range, images were sharp.
The next best one was the Nikon AF-S FX NIKKOR 50mm f/1.8G. It is a standard lens that is capable of stunning pictures. It offers a shallow depth of field and wonderful bokeh effect. A reasonably affordable all-rounder that is superb for beginners and enthusiasts alike.